Tarzana Is My Heroine

a poet considers the imaginary and reality of Tarzana


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Tarzana Is My Palimpsest

Since my mother died five years ago January, I’ve criss-crossed Tarzana scores of times. If my car had left marks (like lain rubber), the town would be a Pollock of lines, angles, and loops everywhere I’ve driven.

If my tires had been dipped in paint, the town could in fact be painted red, with the red and black lines all tangled up.

 

Tarzana Is My Palimpsest

Tarzana Is My Palimpsest (Coco Owen)

 

 

The vectors and loops I’ve driven add texture and depth–but they write over that page recording my mother’s last illness, which began Christmas Day of 2007 and ended when she died less than a month later.

The day she died was one of those freakishly unseasonable winter days. The gas-jet blue January sky was unclouded. After she was gone, something like a film of plastic fell over the board-and-care home and over her room, where I stayed with her body until the mortuary people came.

Once I stopped crying all the time, went out for groceries, cooked dinner, and paid the bills again, I started to make tracks up and down Ventura Boulevard as I retraced the page recording her death. Imagine my car as a huge paintbrush, as

I drove

south on Mecca, west on Wells

north on Corbin, east on Burbank

south on Lindley, west on Oxnard

south on Wilbur, east on Ventura

& up Nestle past Palora

to _________  [unspeakable street ]

where she died.

I started rewriting the story of my life by reviewing her life-story. Her life and her death starred in an elegiac group of poems I wrote, because I could keep her alive there–if only in the past tense.

[She wouldn’t like that I’m writing about her.]

I write about Tarzana, though the errands I run, the walks I take, the bike rides, further obscure that page in my mind that recorded her death. It’s become a palimpsest text–layers and layers of posthumous scribble.

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